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Affinity Photo or Pixelmator Pro?: Beginners Questions Forum: Digital Photography Review - The Skylum Creative Kit
Most of the questions I get as a photographer is about post-processing, even from non-photographers. The first question I often hear is: You use Photoshop , right? Many are surprised, when I answer, well yes and no. I use both quite a lot. Affinity Photo :. Let us begin by looking at the price difference and whether they can justify the difference in price. The subscription also includes Lightroom. In the version of Photoshop, the iPad version is included in the monthly subscription.
I bought Affinity Photo from version 1. For instance, I think that Capture One has a lot of advantages over Lightroom. Affinity Photo is probably the photo editor that comes closest to being able to battle Photoshop in terms of functionality. That is not to say that Affinity Photo is better than Photoshop. To be honest, Affinity Photo lacks a few features, but most of these features are not even used by the majority of Photoshop users. So from that perspective, it is more than capable for replacing Photoshop.
And on some points even better than Photoshop, and at a fraction of the price. And often it is not that complex. So what it all comes down to is whether you can build a solid photo editing workflow in Affinity Photo , that gives reliable results. Let us look at some of the areas where Affinity Photo is different from Photoshop and where it can take a little getting used to when going from Photoshop to Affinity Photo.
The main questions when switching from using Photoshop to an alternative, like Affinity Photo, are:. How will this affect my photo editing workflow? Do I have to start from scratch and learn everything again? Where are the differences? Will photo editing become faster or slower?
They use it because it is an extremely powerful photo editor. This is the same for Affinity Photo. Your workflow will not become faster, and it will not get slower either. However, you get a very powerful photo editor, just like Photoshop. The right side panels are also very much like those you find in Photoshop. You have the layers panel, history panel, adjustments panel and all the other things you already know from Photoshop.
Working with masks and selections is also almost the same as in photoshop. The adjustment panel in Affinity Photo takes up a bit more of the user interface in the right side, but many of the adjustment layers you can add are the same as in Photoshop and with similar options for each adjustment layer.
One of the differences you will notice is that Affinity Photo is divided into personas or workspaces, that is accessible through buttons at the top bar.
The difference personas group related features together and only shows it when you need it. For instance, the export and slicing features are only visible from the Export persona, and not when you are just editing an image. This is equivalent to Adobe Camera Raw. Just like working in Adobe Camera Raw, keep your edits in the Develop Persona to basic exposure corrections and for preparing your Raw file for further enhancements. When you press the Develop button you are taken to the Photo persona , which is where you will do most of the enhancements like adding adjustment layers, working with advanced selections and applying filters.
For instance, in Lightroom just select the image you want to edit, right-click and select Edit In… and select Affinity Photo. Just like you would if you wanted to take your image to Photoshop. You cannot open multiple images as layers in Affinity Photo. If you need to open multiple images as layers you need to do this manually, by opening all of the images and copy the layers of each image into a single image with all the layers. While most image library apps can read tiff and other file formats, not many of them can read the.
Older plugins like Nik Collection Plugins can only be installed by using a workaround , but it is doable. Once installed most plugins work without issues, but with the difference that you apply the plugin effect to the active layer, and not to a new layer, as you might be used to in Photoshop. At least this is the case with Nik Collection plugins. If you just adjust your workflow and duplicate the active layer before using the plugin, you will feel barely feel a difference.
In Affinity Photo, this is called macros instead of actions. However, you cannot import your existing photoshop actions into Affinity Photo. There are still some limitations to what you can record as macros in Affinity Photo v. You can edit the stack and remove ghosting from the focus stack using the stamp tool in combination with the source panel, but only to a certain point. The panorama feature suffers from the same failure to show a layer mask of which part of each image layer was used to create the panorama, so you can add finishing touches to the panorama stitching yourself.
You have to do this in the stitching process and cannot edit it after you applied the Panorama stitch to a pixel layer. I must admit though that the initial panorama results that Affinity Photo outputs, is often much better than the results I got from Photoshop. Another feature that you might miss, if you are used to working in Photoshop, is the lack of ability to use luminosity masks in Affinity Photo.
Well, you can actually create luminosity masks, but it is a bit different than in Photoshop, where it is also a quite complex process.
So if you prefer manual exposure blending over the more automatic HDR merge feature in Affinity Photo , you need to change your workflow a bit. Instead of using luminosity masks, Affinity Photo relies on using blend ranges for blending images and limiting adjustment layers to only affect pixels with a particular luminosity value. Blend ranges are like Photoshops Blend-if feature but on steroids.
It is extremely powerful, but you still need to get used to working with it. By using blend ranges you can set how a layer or adjustment layer should blend with the underlying layers. In the above example, you can see the blend range options for a saturation adjustment layer.
At least for landscape photographers using blend ranges instead of luminosity masks, is one of the major changes in workflow to get used to. However you can still use luminosity masks, by using the approach, I teach in the advanced video course.
Get machine learning-powered suggestions for eye-catching crops with just a click. Instantly fill any layer with a color by dragging and dropping from the new color picker in the toolbar. Automatically paint brush strokes along paths, layers, and selections using any brush in your collection. The redesigned Type tool now includes a text size slider, advanced spacing options, and other improvements.
What's new in Pixelmator Pro. Many of the most important adjustments can be applied automatically, using a machine learning algorithm trained on 20 million photos. Magically remove unwanted objects, clone parts of your photos, lighten or darken precise areas, and do much more. All by using simple brushstrokes to retouch just the areas you want.
So all your shots look picture-perfect. Pixelmator Pro supports RAW photos from over of the most popular digital cameras.
It defeats the purpose. There's a lot of other's things you can consider to decide what processor is best for you. In my opinion, the two has good things over the other, but not really significant, so is a matter of what's suits you better for your style or method.
Now we are sick of hearing that Capture One is best. If is really superior tell me exactly why. This article tries to bring some information in the issue. First of all Mr. Mr Erni has experience with the developers of C1 as well as Martin does with Adobe so he is an expert on the program and the code comprising some of the image processing algorithems. Evening has also done this for the most part in this articale without criticizing C1.
So with this as a backdrop let me just point out the main difference between C1 and LR in terms of color adjustments. The entire C1 image processing pipeline exclusively uses ICC profiles that are specifically implemented and calibrated for specific hardware devices such as cameras, displays and printers. This is nothing to be complemented in any way — it is a waste of our time.
With respect to this article, I have been a Photoshop user for decades and replaced it with Pixelmator Pro. I am not a photographer like the author of this article rather, a Marketing Manager with a hands on approach to graphic design.
I love my job! Pixelmator Pro offers a very cool user interface that is easy to learn and navigate. It works similarly to Apple Pages and the two applications work beautifully together effectively replacing Adobe Photoshop and InDesign. I save files in iCloud and open them at work, home or at the coffee shop getting real work done whenever and wherever I am. Neither does Affinity Photo, which I also own.
The features I need retouching, merging photos, creating layouts, color correcting, cropping, adding text to photos, making an image more interesting and beautiful - essentially, creating marketing and advertising from business cards to banners all work great with Pixelmator Pro.
Over time I suspect Pixelmator will offer unique features of its own. As detailed above, I find there are already workflow and efficiency advantages. Kudos to the Pixelmator team for bringing their software to market. Summer Sale. Home Topics Reviews. Interface When first opening Pixelmator Pro, we are greeted by a clean interface. Use Aurora HDR for free for 14 days. Please check your inbox. We've sent you a copy via email. This is sad. Please resubscribe here. Thank you for downloading Aurora HDR.
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